My paintings are brought to life by my desire to meditate and to create space and connections as such. As symbols attach a sense to a given image thus, the painting connects the image to the sources of the imagination (such as perception, memory, archetypes) and to revelations (the very action of painting).

For the Roots series, paintings are closely related to my biography and my exploration and the way I transliterate my relationship with the environment in terms of color, texture, atmospheres, matter, all in all spiritualized and dramatized by
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Fragments and Landscapes - On the paintings of Magda Amarioarei by Koen Wastijn

The Cro-Magnons lived with fear and amazement in a culture of Arrival, facing many mysteries. Their culture lasted for some 20,000 years. We live in a dominant culture of ceaseless Departure and Progress that has so far lasted two or three centuries. Today's culture, instead of facing mysteries, persistently tries to outflank them.” (This quote is from John Berger, one of the first people to visit Chauvet, home of the oldest cave paintings in the world - The Guardian.)

Painting is d
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Les Enfants Ancêtres (la nature du paysage)

La série est une approche poétique d'un mythe indo-européen qui véhicule que les humains serait les âmes du lieu et de la nature incarnée, qui après la mort et comme l'examine le mythologue Mircea Eliade, retournent dans les arbres, dans les fissures, dans l'eau, en attendent d'être accueillis et restaurés dans le monde.

Ce mythe souligne la solidarité de l'homme avec la nature et le cosmos environnant, mais aussi la formation de l'intérieur de l'homme dans les entrailles de la terre, e
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